by Maud Le Pladec

Premiere 2018

at the Festival Montpellier Danse

and Théâtre de l’Agora

60 min
10 performers

© Konstantin Lipatov

“I envision Twenty-seven perspectives as an echo chamber, a blank page from which to start anew.”
– Maud Le Pladec

For her latest piece, Maud Le Pladec assigns a new role to music. The choreographer transforms Schubert’s Unfinished Symphony into a ghost score, to best develop her choreographic meditation centered on the number 27. Together with composer Pete Harden, she delves deep into this musical monument to extract a series of variations, forging a choreographic symphony.

Concept and Choreography: Maud Le Pladec
Lighting and Set Design: Éric Soyer
Sound Design: Pete Harden, based on Franz Schubert’s Unfinished Symphony No.8 
Costume Design: Alexandra Bertaut
Assistant: Julien Gallée-Ferré
Performed by: Régis Badel, Amanda Barrio Charmelo, Olga Dukhovnaya, Jacquelyn Elder, Simon Feltz, Maria Ferreira Silva, Aki Iwamoto, Daan Jaartsveld, Louis Nam Le Van Ho, Noé Pellencin Alternating with Matthieu Chayrigues, Audrey Merilus, Jeanne Stuart
General Manager: Fabrice Le Fur
Lighting: Nicolas Marc
Sound: Vincent Le Meur

Production: Centre chorégraphique national d’Orléans # Co-production: Chaillot - Théâtre national de la danse, Festival Montpellier Danse 2018, Festival NEXT / Schouwburg Kortrijk & le Phénix scène nationale Valenciennes pôle européen de création, La Briqueterie – CDCN du Val de Marne, MC2: Grenoble # Residency: Théâtre d’Orléans in collaboration with the Scène nationale # Co-realization: Chaillot - Théâtre national de la Danse / La Briqueterie – CDCN du Val de Marne

© Julie Pareau