Aina Alegre

Waiting list: the event is SOLD OUT, please contact the CCNO at 02 38 62 41 00 or reservation@ccn-orleans.com to register on the waiting list.

© Alice Brazzit

« This project is part of a form of continuity because the desire to work on hammering emerges from the observation of this gesture, which is anchored in very different forms in all my previous projects. However, R-A-U-X-A does pose a form of rupture in relation to the way I conceive the project. So far for each process I have built up a corpus of references related to the subject I deal with in each piece. This is how I set up a physicality and a writing of body and space-time specific to each piece. For this new project, my subject is the gesture itself.
Exploring all possible corporalities and seeing how it reveals certain preoccupations and cultures of the body. » — Aina Alegre

R-A-U-X-A creation November 14 & 15, 2020 at La rose des vents, scène nationale, in the frame of NEXT festival.

Conception, choregraphy & Performance : Aina Alegre
Live music : Josep Tutusaus
Light design : Jan Fedinger
Space design : James Brandily
Costum design : Andrea Otin
Dramaturgy & artistic advises : Quim Bigas
Stage & sound manager : Guillaume Olmeta
Advises on moment : Elsa Dumontel & Mathieu Burner
Intern stage direction : Capucine Intrup
Production : Claire Nollez
International distrubution : Vicenç Mayans, PALOSANTO projects
Production assistant : Aniol Busquets
Executive Production : STUDIO FICTIF

Aina Alegre
develops her artistic work as a choreographer, dancer and performer. After a multidisciplinary training, combining dance, theater and voice in Barcelona, she joined in 2007 the National Center of Contemporary Dance of Angers, under the direction of Emmanuelle Huynh, where she met artists and choreographers who nourished her choreographic background. Aina is interested in the body as subject and as matter. She sees the choreographic creation as a ground for reinventing the body; to “fictionalize” it. She is interested in very different cultures and physical practices, understood as social, historical and anthropological constructions, representations, which she questions and translates into to a physical experience from a choreographic perspective. She thus articulates various choreographic objects through different media: stage props, performances, videos.